top of page

WORK // Research and Development:

Ultrasonic Field Recording // Link >

2026​-Present // Research project for high-fidelity field recording in ultrasonic frequency spectrum

​

​

Sqwonk: Extremely Low-Frequency PVC Bass Clarinet

2026​-Present // Virtual instrument design in collaboration with Jeff Anderle

  

 ​

​Resonaut~

2024​-Present // Interactive physical-modeling instrument system, including feedback and spatialization​

 

​

Pulsimer // Link >

2022​-Present // Spring-based electroacoustic instrument

  ​

​​

​MHv2 / CHv2

2021​-Present // Custom electronic music performance interfaces​

 

​​

GranVolution Synthesis // Link >

2019-Present​ // Software for real-time granular synthesis and convolution

 

​​

Electro-Magnetic Field Sound Library // Link >

2017-Present​ // Database of electro-magnetic field sound recordings

 ​

​​

AmbiPlay~ // Link >

2021-2022​ // Software for ambisonics playback / decoding in standard 2D speaker arrays

​​​​​

​​

ML Expander // Link >

2019-2022​ // MIDI-based ML processing software

​​​​

​​

MH4.1 / CH0.9 // Link >

2020 // First design of custom electronic music performance interfaces​

​​

​​​

Tea Time // Link >

2019 // Instrument: metal tea kettle, slinky, transducers, & teensy

​​​​

​​

[re]Synth~ // Link >

2018 // Software for offline analysis-driven re-interpretation of input sounds

​​

​​

MC-EMF // Link >

2018 // Electro-magnetic field instrument with color tracking software

​​

​​

CM-Object // Link >

2018 // Contact-mic instrument with live-processing software

​​

​​

Bias in Creative Technology // Link >

2018 // Study & research project

​​

​​

NOIZ~

2017 // MIDI-mapped software instrument

​​

​​

Granu-Spec

2017​​ // "One-button" granular synthesis software instrument

​​

​​

​

​

​

​

​

​

​

​

​

© 2026 by DOUGLAS MCCAUSLAND.

bottom of page